thoughts. The strangest phrases would suddenly pop into my head. Finally, came my first direct communication with Skully. The first words he addressed directly to me were: We are she lab lash ead. This sentence originated from a definite physical space (behind my right shoulder) and were heard as one would hear a neighbour speaking. The voice was clear and deep with perhaps a slight eastern(?) accent. It possessed a definite quality of resonance and reverberation, both of which added to the overall impression of richness. More recently, I have mastered the technique of gazing into Skully and 'trancing out' into a bewildering variety of strange worlds, through which Skully acted as a guide.

As my understanding of my relationship with Skully increased, I came to realize that all of the diverse ways in which he was interacting with me were just different ways of stating the same message. The message is divided into four sections, which are:

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1.. An account as to the nature of that which is generally referred to as 'Creation' or 'Everything' (in relation to Point 4.)

2.. An account as to the purpose of that which is generally referred to as 'Creation or 'Everything' (in relation to Point 3.)

3.. An account as to the nature of human consciousness and existence (in relation to Point 2.)

4.. An account as to the purpose of human consciousness and existence (in relation to Point 3.)

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Each of the four Points is further divided into four subsections, these are:
1.. A statement.
2.. An experimental means by use of which the above statement can be validated or refuted.
3.. A series of possible implications arising from the use of the above technique.
4.. An experimental means by use of which the above implications can be verified or refuted.

On various pages throughout this web-site, I have described many of the experiences which collectively have compelled my to consider very carefully the nature of existence and reality. As an introduction to the forthcoming material I shall outline a further example, which, although it has no direct bearing on the skull, does highlight one of the most powerful analytical tool available to the Supernatural investigator. A tool that is almost completely overlooked!

I cannot recall if the following originally came to me as a dream. It seems to have resided in my memory as long as I can remember.

I am kneeling with my left hand pressed against a damp wall. My right hand is fumbling between and behind a collection of cardboard boxes stacked loosely against a wall which is papered with broad green and white stripes. It is too dark for me to see clearly what is in the boxes. My general impression is one of dusty clutter. I stand up, turn around and walk towards a female figure who sounds anxious... but somehow there is humour in her anxiety. She is standing next to a table over which has been placed a green tablecloth. The room is lit by a single naked bulb hung from a flex on the roof. The woman is standing in front of the bulb and as such her entire face is in shadow. She is wearing a pink fluffy jumper which flaps as she waves her arms around in a very theatrical manner. All of her body language seems exaggerated and yet, somehow comical. I do not remember her exact words, but they were very much along the lines of: 'No! No, we can't. We don't have time. No, be serious. Etc., etc.' Suddenly, I became aware of a cold, hard and heavy object in my right hand and immediately after that I felt my legs buckle. I lurched forward, dropping the object (it was white) onto the table...

Often in quiet moments during my childhood and adolescence, I paused to wonder who the lady was. What was it that I was asking? and where was I asking it? The scene was not particularly noteworthy, yet it did not fade like a dream or a memory. It seemed to have lodged in my mind and evoked some very curious sensations whenever I thought of it. It was almost like one small cog amongst a multitude of other machinery inside a clock. A cog so small and incidental that it is not usually noticed, unless it sticks and draws one's attention to it.

Upon leaving school I went to University, lodging in a large Georgian townhouse with three other students. It was owned by an American family, who also lived there. In the attic of the house was a pool table. A game I enjoyed and spent a lot of time playing with other members of the household. I became romantically involved with the family's eldest daughter, and one evening whilst playing pool with her I knocked the cue ball completely off the table. It rolled into the far corner of the room. I followed and got down on my knees to fumble around for it behind the boxes it had disappeared behind. After a brief search I found the white ball, picking it up with my right hand as I held onto the wall to help me get back to my feet with my left hand. Suddenly, I became intensely aware of two facts. First, the walls were papered with a wide green and white stripe. Second, Sharon (my girlfriend) was speaking behind me. All manner of alarm bells started to go off in my head. I had been teasing her, suggesting that we had 'a quick shag on the pool table before dinner.' Her animated response was to wave her arms about, saying: "No, we don't have time. What if someone comes in! No! Stop being silly." This she kept repeating as I walked towards her. She was silhouetted by the naked light bulb and was wearing her pink, fluffy sweater. My sense of reality lurched forward, I stumbled and dropped the white ball onto the pool table (Not a table covered by a green tablecloth, as I thought.)

My memory, and reality had caught up with each other. The effect was electrifying! The above was an example of Deja vu. A sensation common to all and which literally knocks one for six when it happens. Yet, it is laughed off by science and ignored by Supernatural investigators who prefer to point their attention (and equipment) at the illusory trails of fairy dust left by phantasmagorical UFOs and monsters. An understanding of the mechanism of Deja vu provides the individual with a golden key to unlock many of the mysteries of time, reality, existence, reincarnation and regression: Yet, it almost completely ignored. Why?

Science has long striven to ratify the theories of Relativity and Quantum mechanics into one, grand unified theory of everything. The Supernatural community need to adopt a similar stance and discover a formula capable of unifying the many, seemingly diverse strands of the Supernatural (ie: UFOs, ghosts, telepathy, mystical trances, religious experiences, etc., etc..) Rather bewilderingly, it seems that these would much rather spend their time decrying and denying the validity and existence of all other gods except the one they personally believe in. Surely, it would be far more fruitful to look at the similarities between different types of Supernatural phenomena with the intention of classification and categorization. Supernatural literature focusing on one system of beliefs is plentiful, but comparative studies are very, very thin on the ground. Frazer's 'Golden Bough' (first published in 1922) remains as the outstanding work in the field. In living memory, only two authors of note have explored these lines of thought at any depth. These were -to a lesser extent- Immanuel Velikovsky and Aleister Crowley (whose book '777' remains an unsurpassed classic on the subject.) Both of these men were hounded and persecuted by the establishment, Crowley to the extent that he is still widely remembered as 'The wickedest man in the world!' In more recent times, the work of Graham Hancock has come public attention as he continues his quest to find Earth's legendary Lost Civilization. Only time will tell if he too is smeared and discredited by the establishment's rabid frenzy.

Whilst thinking about my interactions with Skully, I came to realize that he was providing me with a sort of template for reality. By use of this template it is possible to study the relationships and interactions between everything from a single thought to the entire mechanism of Creation. Skully was going to great pains to describe different 'roundabouts' and 'junctions' on his map of everything.

The following information is by very nature difficult to understand. It is hoped that the form in which it is presented here will render it relatively simple for the average reader to digest and assimilate. It is only necessary for the individual to form a basic understanding of the structure of this material because it functions only as a wire-frame upon which the individual's own knowledge is awakened and placed.

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1.. An account as to the nature of that which is generally referred to as 'Creation' or 'Everything' (in relation to Point 4.)
Click here to read. (Link not yet active.)
2.. An account as to the purpose of that which is generally referred to as 'Creation or 'Everything' (in relation to Point 3.)
Click here to read. (Link not yet active.)
3.. An account as to the nature of human consciousness and existence (in relation to Point 2.)
Click here to read. (Link not yet active.)
4.. An account as to the purpose of human consciousness and existence (in relation to Point 1.)
Click here to read. (Link not yet active.)

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